prompt #2 (week 5)
Ebook only books, which are increasingly popular (especially in the romance genre) see little to no reviews in professional publications unless they have a big name author. How does this affect collection development?
While I
don’t know much about collection development, I can recall from previous
classes that reviews, certainly professionally published ones, matter a great
deal when choosing books to purchase for a collection. I imagine that reviews
are a primary way for collection development staff to be notified about new
and/or popular books, so without any kind of formal review written up in a
trusted source, the odds of an exclusively online book being selected for inclusion
would be pretty slim. Therefore, an entire subset of books is essentially overlooked
or ignored in favor of those popularized through traditional methods. It’s an
interesting conundrum because so many collection development policies revolve
around being able to provide works that are relevant to and in the interest of
their patrons, but many eBooks could fit these criteria, too. For example, St. Louis
County Library’s collection development policy states: “Collection
development and management decisions are based on the merit of the work as it
relates to the Library's mission and its ability to meet the needs and
interests of the community.” Based on this, many eBook only books would fit
into the library’s collection, but without being publicized through
conventional means like professional reviews, they’ll continue to be
overlooked.
Look over the reviews for the eBook only romantic
suspense novel - do you feel they are both reliable? How likely would you be to
buy this book for your library?
Both
reviews for The Billionaire’s First Christmas feel authentic and genuine,
leaning heavily on the writers’ subjective opinions about the plot, characters,
and other elements of the book. I am inclined to believe these reviews are
accurately reflective of the writers’ feelings toward the book, but I wouldn’t
consider them reliable resources for professionally determining whether the
eBook would merit being a good addition to a collection. Unfortunately neither
is particularly well written or even really formal, but their enthusiasm for
the book is clear, and their descriptions of the plot elements and characters
general traits are consistent enough that it would probably be easy enough to classify
the eBook within a collection. I’m not entirely sure how likely I’d be to buy
this for a library; it would probably depend on the library’s collection
development policy, how many other Christmas-themed romance novellas are currently
owned by the library, and maybe even the time of year. If it seemed like Christmas-themed
eBooks always circulated heavily during the holiday season, it might be worthwhile
to invest in this “light and cozy” eBook. However, if holiday romances don’t see
an uptick in popularity and there are already several existing paperback/Harlequin
reads with these themes offered, then I’d probably skip it.
How do the reviews of Angela’s Ashes by Frank McCourt
make you feel about the possibility of adding this book to your collection?
All the
reviews for Angela’s Ashes are laudatory, remarking about the vivid depictions
of a brutal childhood but also the love and humor that flows through the book, describing
it as “extraordinary,” “wonderful,” and “wonderfully readable.” It is also
suggested by multiple reviewers that it has broad appeal, being recommended for
readers of any age and expected to be in high demand due to word-of-mouth
recommendations. Given the consensus of these professional reviews, and my own
knowledge about the lasting popularity of Frank McCourt’s works, it would be an
easy decision to include this book in my collection. Assuming my library hosts
a popular collection (like many public libraries do), it could be viewed as
being incomplete without a book like this one that is essentially
professionally guaranteed to be popular and appeal to such a wide range of
readers.
Do you think it's fair that one type of book is reviewed
to death and other types of books get little to no coverage? How does this
affect a library's collection?
There is
certainly a disparity in the types of books that are professionally reviewed
versus those that aren’t. Presumably, the ones more likely to be covered are
those that are published traditionally, acquired by big name
publishers/publishing houses with enough sway to ensure their books will be formally
reviewed anywhere and everywhere they see fit. This generally means that those
books that are published less traditionally (i.e., self-published) are much
less likely to be reviewed in ways that grow their popularity. Of course, now
there are other methods through which non-traditionally published books can
make their way to the public eye (BookTok, notably), but this is word-of-mouth,
subjective coverage from the everyday person instead of formal reviews. As
previously mentioned, libraries with popular collections are definitely more inclined
to select books guaranteed to be popular with their patrons, so books that are covered
more thoroughly are more likely to be in higher demand. This means a library
would be more likely to carry something that their patrons have potentially
heard of over something that was little-covered and lesser known. Sometimes a
book breaks through in spite of its lack of traditional publishing or reviews (for
example, my library acquired the Ice Planet Barbarians series after it
went viral and therefore greatly increased demand), but it is usually the exception
and not the rule.
And how do you feel about review sources that won't print
negative content? Do you think that's appropriate?
This is a
tricky one, I think, especially since I know very little about review sources
and therefore may not understand entirely how they work. Obviously, I can
understand popular and reliable review sources wanting to use their pages and
influence to encourage readers to read something that’s going to be a guaranteed
hit. It makes more sense to push excellent material to their readers in order
to keep that relationship strong instead of using time and resources to publish
a negative review and dissuade readers from a certain book. On the other hand,
I always think it’s strange (and often disconcerting) when reputable sources refuse
to acknowledge or allow multiple perspectives. Without allowing room for
negative reviews, the review source runs the risk of being seen as dishonest,
biased, or promoting censorship. Luckily, I do think it is easier now than ever
for readers to gain multiple perspectives on a book before they read it. Sites
like Goodreads or Storygraph allow for the average person to rate a book and
explain their reasoning, positive or negative, which, to me, can be more helpful
for deducing a reading experience than a formal book review anyway. These
reviews won’t always be well-written, unbiased, or even rational, but it can be
useful to learn what other readers liked or disliked about a book in their own
words.
If you buy for your library, how often do you use reviews
to make your decisions? If not, how do you feel about reviews for personal
reading, and what are some of your favorite review sources?
I do not buy for my library, but I would say that I don’t really consider reviews much for personal reading (though in all fairness, I’m lawless and rarely look at reviews for, like, anything at all). If I’m going to read a book, chances are it’s been recommended to me by a friend or colleague I trust, blurbed by an author I already like, or I saw it on the shelf and it seemed like something I’d enjoy. I mostly only interact with Goodreads as a review source, though I rarely use it that way. The only time I can actually recall utilizing it as a proper review source was when picking out books to read in the genres I’m entirely unfamiliar with for this class. When picking out a western, I scoured Novelist for something that sounded interesting, then headed to Goodreads to read the top reviews, look at the star rating, and see if any of the low ratings addressed things about the novel that would also be turnoffs for me. Otherwise, I tend to avoid reviews because I don’t want my reading experience to be influenced by anything I’ve read.
You make an interesting observation about how prevalent e-book only books are with readers and how librarians may be doing their patrons a disservice by not adding them to their collections. Along with e-book only books not being featured in popular review journals, another wrinkle in the process is the digital consortiums that a lot of libraries belong to. For example, my library is in a consortium with over 100 other public libraries, and we share our digital collections. Each library purchases their own e-titles, but those titles are all purchased from the same platform. As librarians we don't have control over what is offered on this platform for purchase, and we are limited to what is offered there. As e-only books continue growing, it will be interesting to see how librarians and libraries adapt.
ReplyDeleteThat's a really good point, Mary, I hadn't even thought about how much libraries are really at the mercy of their digital consortiums. So many libraries belong to consortiums like that to minimize costs while still being able to offer their patrons access to more material, but it also means that they have to relinquish control over the materials available. Vendors are under such different obligations than libraries are (since they are businesses), and likely have contracts with particular publishers which can definitely influence the types of materials they offer. They don't have to consider the patrons the way libraries do, so they're under no obligation to offer the variety of materials libraries would ideally strive to provide. It'll definitely be interesting to see how libraries navigate this issue with vendors moving forward!
DeleteHi Olivia,
ReplyDeleteYour comment about how the lack of eBook only book reviews affects collection development made me investigate Indianapolis Public Library’s Materials Selection Policy. The policy states, “works by best-selling authors, directors, or musicians are selected[, but] [s]elf-published works or those from small presses warrant closer evaluation (Indianapolis Public Library, n.d.). Consequently, I wonder what percentage of ebook only books are self-published; the closest information I could find to help answer this question was from a 2008 article that states self-published books “must format digital files for the printing process—which means that deriving ebooks from these files is also possible” (Dawson, 2008, p. 45). This same article also says that “[s]eventy-eight percent of titles, according to the Publishers Marketing Association, come from small publishers or self-publishers” (DiVita, 2007) (Dawson, 2008, p. 44). Taken together, I surmise that the percentage of self-published ebook only books is higher than one might initially expect. According to an article from the TCK Publishing website, Kirkus Reviews and Publishers’ Weekly, two well-known review sites, publish reviews for self-published books. However, the process for both is different from traditionally published books. For example, Publishers’ Weekly has a different website solely “for self-published authors” (Sullivan, n.d.), and their reviews for self-published books are “typically reviewed in PW’s companion publication, PW Select” (Sullivan, n.d). For Kirkus Reviews, a self-published author can submit their books for a review “through Kirkus Indie, a paid review platform” (Sullivan, n.d), which, although expensive, does provide the same benefits as reviews for traditionally published books. The reviews are “anonymous, independent, and can be positive, neutral, or even negative” (Sullivan, n.d). Although well-known review sites offer opportunities for self-published authors because the reviews do not co-exist with other reviews on the regular site, presumably making them harder to find, the likelihood of one of these reviews helping a self-published author gain readership and notoriety is slim. eBook only books receive little notoriety because the number of reviews they receive is few; adding the factor of self-publishing further complicates the issue of eBooks getting overlooked in libraries.
I agree with your conclusion about the blog post and Amazon review; both reviews describe their feelings about the novel with explanations and provide a basic plot summary, but neither is strong enough for a librarian to use to determine whether this book would fit well in their collection.
DeletePerhaps a librarian could use one of these reviews, more likely the blog post, as it had more sustenance, in conjunction with a more objective review from a more well-known review site. In addition to professional reviews, patron interest is another factor that libraries consider when selecting items, as evidenced by one of the Indianapolis Public Library’s standards for selection, which is “[c]urrent and anticipated needs and interests of the public” (Indianapolis Public Library, n.d.); the combination thereof might help the librarian to balance patron interest with merit, or the worthiness of selection demonstrated in a professional review. What are your thoughts?
Regarding Angela’s Ashes, you mention the continued popularity of the author and his works, which I wanted to address on a more general level, having no previous knowledge of McCourt. I think it is easier for autobiographies such as McCourt’s to sustain their reputation because, unlike other nonfiction works covering topics such as psychology or science, autobiographies do not require constant updates and revisions because vetting the information is not necessary. Furthermore, while subgenres of fiction books, such as books about vampires, rise and fall in popularity, autobiographies are not tied to trends.
I also do not buy for my library or consider reviews for my personal reading, and I have only used review sites when required in a class assignment, though I understand their benefit. Did you feel that reading through reviews and looking at ratings for your western book selection was helpful? Would you consider utilizing reviews again in the future, either for a genre for which you are unfamiliar or for one you have more familiarity?
References:
Dawson, L. (2008). The role of self-publishing in libraries. Library Trends 57(1), 43-51.
Indianapolis Public Library. (n.d.). Materials selection policy. https://www.indypl.org/plans-policies/materials-selection-policy
Sullivan, K. (n.d.). How self-published authors can get professional book reviews. TCK Publishing. https://www.tckpublishing.com/self-published-professional-book-reviews/
Lexi, you did a lot of compelling research in regards to self-published/e-book only books! It's incredibly interesting to know that there's a whole different process and/or site for both Publishers Weekly and Kirkus Reviews for self-published titles, especially since in theory these systems would be just as effective as their traditional counterparts, but it comes at a cost to the individual. I'm sure traditional publishers still have to pay, but they likely have contracts or deals with these review sources to get these reviews done cheaper (or, if anything, have a lot of money to spend on these reviews anyway). This was a fascinating, comprehensive read, thank you so much for sharing your research!
DeleteAnd I did actually think that looking at the ratings/reviews for my western book selection was helpful! I had a few options I was debating, but I ultimately chose one that fit my criteria and was rated pretty decently high on Goodreads. I would probably consider utilizing reviews like this to make recommendations in genres I'm unfamiliar with. If I find a list of things that fit a possible criteria a patron is looking for for their next read, but I'm not familiar with any of the titles, I'd probably consider looking at the ratings/reviews to narrow things down.
I possibly hadn't considered the idea that review sources would want to only list good reviews in order to guarantee winners. I'm not sure if review sources get money or something based on purchases made through their sites, or if people who purchase materials based on the review are asked where they heard of the item. If that sort of arrangement is the case, then I guess capitalism is behind only-positive-reviews, which is hardly surprising.
ReplyDeleteI too am very lawless, and generally don't look at reviews when finding new things to read. I'm definitely often concerned about being influenced by the review, especially if it's a positive review. I don't want to like something and then wonder if I only like it because someone said I would.
Lauren, you make such a good point about capitalism being a possible culprit for the positive-exclusive reviews! So many things work like that now, symbiotic relationships that will throw some money one site's way if it is responsible for leading someone to a sale on another. I so very much appreciate you making this connection for me. It's a shame because I don't always like to think that it all comes back to capitalism like that, but unfortunately it is often the case, no matter what positive spin people put on it. A bummer, but true nonetheless.
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